New sIBL collections: Dutch Skies 360 Vol.3 + 3DTotal
Bob Groothuis did it again.
Time after time Bob went out on that mole in Scheveningen, Netherlands to capture the most spectacular skies for you. Completely unobscured skies they are, horizon to horizon nothing but clouds and sky. Just what you need to wrap around any arbitrary 3D scene you like.
If Volume 1 and 2 were awesome, Dutch Skies Volume 3 turns out to be Killer! To give you a taste of it, Bob is giving away one complete sky package as sIBL-of-the-month. It's a whopping 225 MB download, and now imagine 39 of these delivered on 2 dual-layer DVDs. That's what you'll get in the new DS360 Vol. 3:

[ Download the DS360 Vol.3 Catalog - 22 MB ]
You can actually win this collection when you enter Bob's render contest. And while you're there, check out his Interview with Gerardo Estrada.
... but wait, there's more:
3DTotal releases Medieval City Collection
I'm completely thrilled to announce that UK's Number One CG artist community joins the Smart IBL revolution.
3DTotal is known for providing high quality textures, that you can really use. I used them a lot in the past, actually, because they are always clean, artist-approved, and high resolution. Their first sIBL-DVD is no exception: it's a Medieval City Collection, ready to become the backdrop for your ZBrush'ed orcs, elves, or hobbits. Or, if your name is Torsten Pflug, your photoreal CG Vespa.
Make sure to watch the demo movie on the bottom of the shop page, it's probably the sweetest quick introduction to Smart IBL I've ever seen.
As it has become a tradition for new sIBL vendors, 3DTotal donated some free sample sIBLs for our archive. How awesome, thank you!
Girocam: New 360 camera system spotted at Photokina
3 fisheye lenses apparently share one imaging sensor, everything hard-mounted into one device, so you'd have zero alignment issues.
It can shoot panoramic video and take 7000x3000 (= 21 MP) panoramas with HDR bracketing. There's also a standard tripod thread mount on the bottom and a remote control. Although the maker doesn't seem so clear about the specs yet, calling it 30 MP panorama capture. The Girocam website doesn't look finished either, repeating the same (rather unconvincing) renderings of the device over and over again. Not a single photo or sample panorama. And for some reason it appears to come bundled with a ... rubber duck?
The Girocam is made by Giroptic, a french company that formerly specialized in mirror-on-a-stick capture devices. So this fisheye setup is definitely a step up in quality for them, no matter how awful and small these fisheye lenses really are. Certainly the quality won't compete with a real DSLR+Fisheye setup, but if you're a VFX on-set or real-estate photographer shooting 50+ HDR panos a day, this puppy might become your best friend. I want one anyway, and if it's just for the rubber ducky.
Tipped by Dieter Bethke.
RED defines EasyHDR™ and HDRx™ in relation to Epic
HDRx™- done in post with either "Magic Motion" or "MNMB" (More Normal Motion Blur).
If you've shot video at night with neon lights blinking like this scene you will instantly be amazed at the dynamic range that is being compressed. Best to check out the forum post and read the pages and pages of responses to get the gist of what's coming :)
Olympus E-5 extends AEB up to 7 frames

Bracketing options for 2, 3, 5 or 7 frames
2F - 0.3step ·2F-0.5step ·2F-0.7step ·2F-1.0step
3F - 0.3Step · 3F-0.5Step · 3F-0.7Step · 3F-1.0Step
5F - 0.3Step ·5F-0.5Step · 5F-0.7Step · 5F-1.0Step
7F - 0.3step ·7F-0.5step ·7F-0.7step
- Up to 1/8000th of a second
- Level Gauge for alignment
- 5 frames per second
- Flip out LCD
- 720p Video
September News Mixer: 32 Float, Nik, Canon and Apple
Another month went by with some interesting HDR gossip. Some of them we talked about before, some are still up in the clouds, some are rather surprising.
32 Float is shipping
Unified Color's new 32 Float is awesome, it will add more HDR features to your Photoshop CS3/4 than an update to CS5 will ever do. It's exactly the same interface and workflow like HDR Expose, just running as plugin inside Photoshop. The advantages are:
- tighter workflow integration
- mix different styles by tonemapping layers
- use Photoshop's HDR Merge function
Download the 30-day demo to see for yourself.
Nik Software is getting serious
In the meantime Nik Software is blowing the hype whistle for their own Photoshop plugin called HDR Efex Pro. The new website shows a promo video with pretty high production value, and you can sign up for a demo webinar. Nik HDR efex is still two months away from release, it will have a preset system and really cool targeted adjustments with Nik's infamous Control Points. Here is a recording of an earlier webcast, if you really want to know.
Canon announces 8 - 15 mm Fisheye Zoom L-Lens
Big news for panoramic photographers who want to keep their camera bag lean and their setup versatile. Canon's new Fisheye Zoom Lens will allow circular shooting for a quick 3-way pano shoot as well as fullframe shooting for higher resolution 6-way panoramas. Plus all the in-betweens. Currently only the Tokina 10-17mm Fisheye is the only lens that comes close, expectations are high that Canon's L-glass will deliver better optical performance.
The Canon 8-15mm Fisheye is announced for the first quarter of 2011 and the rumored price is $1500.
Further reference: Official Canon Product Page, some full-res example shots by Joergen Geerds, a zoom movie showing the FOV range by Canon Europe, and a vivid discussion in the Panorama Community.
Canon G12 gets point-n-shoot HDR mode
The rumormill has spit out a feature sheet of the upcoming Canon G12, mentioning fully automatic HDR generation via 3-frame bracketing. Mind you, that this won't result in an HDR image you can tonemap al gusto, but rather in an JPEG where the camera has done all the creative work for you. Just like the Fuji EXR models and several other pocket cameras do it. Useful? Maybe. Real HDR? Hardly.
See, the problem with these dumbed-down HDR modes is that they give HDR a bad reputation. If I have to read on Wired.com a witty statement like this, the damage is already done.
Other “highlights” include in-camera HDR for making hideous, over-colored tone-mapped photos by combining three images.
Apple iDevices will also have an HDR shooting mode
There's no better indication of mainstream compatibility than having a topic featured in a keynote from Steve Jobs. Around 7:00 minutes into the recording, Jobs reveals that the Camera App in iOS 4.1 will have an HDR mode out of the box. That affects iPhones and iPods, but more so several 3rd party app developers that have previously published dedicated HDR apps.
We'll have to see how this turns out, Mr. Jobs already mentioned automatic 3-frame bracketing and instant processing. Highly unlikely that you will get access to a 32-bit file, in fact I suspect a frame blending algorithm ala Enfuse behind. Jobs drops a hint that at least the center exposure is saved separately from the merged result, but it's unclear if the full bracketing sequence will be accessible for re-processing.
Well, it is what it is. I would rather see Apple and Canon concentrate on features for the power HDR users who made HDR so popular in the first place, than catering to the mob. Where is the firmware update that enables extra-wide bracketing on Canon SLRs? When can we get the CoreImage bug fixed that cripples EXR support in Snow Leopard? Your toys are neat, but we demand power tools.
Smart IBL in Architectural Rendering
Even better, when they do that with tutorials. That's why I just love this video, making great use of Steve Pedler's latest Cinema4D sIBL loader (which, by the way, has recently been updated to include a VRay setup.) Awesome results, even without using the background from the sIBL sets.
Smart image based lighting (sIBL) overview from rob redman on Vimeo.
On the flip side, I have always argued that Smart IBL works best when used as starting point. You get a head start, from 0 to 80% in an instant, but for an exceptional lighting it pays off to add a bit more. Just like in this second user tutorial, where the background and the mood come straight from the Barcelona Rooftops set, leaving you more time to finesse the final image. The tutorial is centered around 3dMAX and VRay, but the method is completely universal.
